From an early age, Manuel Made This displayed a natural affinity for music. With no formal training, he found himself drawn to instruments, experimenting with drums and piano while waiting for his mother—a church leader—after Sunday services. Over time, these informal sessions laid the foundation for his musical prowess, eventually mastering both instruments.
His transition into music production was almost serendipitous. A high school friend introduced him to FL Studio, sparking an interest that began as a hobby. What started as casual beat-making for friends soon turned professional when an artist requested a custom production. The success of that track propelled Manuel into the industry, prompting him to refine his skills in mixing and mastering.
Manuel Made This cites Nigerian producer P. Priime as a major influence, admiring his versatility and distinctive approach to production. He describes his own style as narrative-driven, ensuring that each beat communicates a story through carefully selected elements—often incorporating live guitars and trumpets to enhance the composition. His process typically begins with drums and percussion, ensuring a groove strong enough to stand alone before adding melodic layers.
A defining moment in his career came with a production featuring Beeztrap, marking his breakthrough in the industry. Despite facing challenges, particularly in acquiring professional studio equipment due to high costs, Manuel remains committed to his craft. When working with artists, he prioritizes talent, dedication, and consistency, recognizing that his reputation is closely tied to the music he creates.
Looking ahead, he envisions owning a music studio and becoming one of Africa’s most versatile producers. A dream collaboration with Gyakie is on his list, underscoring his ambition to work with top-tier artists. For aspiring producers, Manuel’s advice is clear: “music is a business beyond passion, and consistency is the key to long-term success.”
Manuel at this time of writing is working with Channel One TV as a sound engineer doubling that with making music the future can only be bright.
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