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Black Sherif: Bosom P-Yung is a major influence on modern Ghanaian hip-hop

Sally Quaicoe by Sally Quaicoe
December 3, 2025
Reading Time: 2 mins read
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Ghanaian rap star Black Sherif has showered praise on fellow musician Bosom P-Yung, crediting him as one of the key architects shaping the sound of modern Ghanaian hip-hop.

Speaking in an interview with Joseph Nti, host of Sincerely Accra, on Tuesday December 2, Black Sherif said Bosom P-Yung’s impact on the genre is deeper than many realise.

According to him, a significant portion of today’s hip-hop sound in Ghana can be traced back to Bosom P-Yung’s creative influence.

“I will give Bosom flowers every year till I go sit inside,” he declared. “Because I believe that this modern Ghanaian hip-hop right now, a chunk of the sound comes from Bosom. Really, I’m telling you.”

Black Sherif explained that even artistes who may not publicly acknowledge it have adopted elements of Bosom P-Yung’s unique approach to flow, delivery, and sound design.

“Even the people—ones with no name sef—go register inside,” he said, stressing that the ripple effects of Bosom’s early sonic experiments continue to shape the music ecosystem.

He added that creatives often learn unconsciously from pioneers without knowing the original source:

“Somebody fit do something right and the effects go come out from that… the people go learn without knowing that it was from there.”

The “Kwaku The Traveller” hitmaker described himself as a student of the genre, revealing that he has taken time to study the evolution of contemporary hip-hop in Ghana.

“I know the sound. I am a student of this modern Ghanaian hip-hop. I do my research… I know where things are coming from,” he said.

Black Sherif concluded that Bosom P-Yung remains one of the key inspirations behind the new wave of Ghanaian hip-hop, insisting:

“I believe Bosom is one of the influences on the new hip-hop. I’m telling you.”

Bosom P-Yung became widely known after his breakout hit “Ataa Adwoa,” which introduced an eccentric, experimental style that shifted the creative direction of Ghana’s trap and hip-hop scene.

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